I’ve been lucky enough to know Sage for years, lucky to have had the special opportunity to see works before they hit the gallery walls. And here I am in conversation with him in front of his new works, once again, a vast departure from what I have seen from Sage in previous years. There are large canvases of flowers, small drawings of skull treatments, studies in abstraction and daily tests on envelopes. They are beautiful, and Sage is candid in his new confidence. Yes, these new works are meditations on gardens and our ability to manipulate and control beauty. But other possibilities arise. These works find meaning in the patterns of personal life, the unseen mappings of our universe, and how we find ourselves connecting dots and moving forward without losing a sense of self. There is truth in this process.
Sage and I met up in Pasadena and drove across the Valley talking about Flemish art, his son, and finally getting over on Alexis Ross.SAGE
VAUGHN
Beyond The Cover
Portrait by Cali DeWitt
We officially kick off the year with our February 2015 cover artist, Los Angeles–based Sage Vaughn, a long-time friend of the magazine. With his upcoming exhibit at Judith Charles in NYC, this was a good time to catch up.
INTERVIEW BY EVAN PRICCO